Psychology Stress Coursework Essay Example for Free

Psychology Stress Coursework Essay Stressed, unbalanced and permanently under pressure. This is how in the movie â€Å"Office Space† Peter, a programmer in a big software company, passes his days and therefore hates his bothersome job, his boss and his whole life. When seeking help in hypnosis the therapist dies suddenly and leaves him back in a state of total relaxation and casualness so that he neglects orders to do extra work at weekends, finds the courage to start dating the long admired girl next door, and surprisingly impresses some evaluation interviewers with his new coolness what ends up in unexpected promotion. In the new position he decides to strike back against his company by installing a virus-like software to invincibly transfer money from the company to their bank account together with his just fired friends Michael and Samir. By mistake, however, the plan gets totally out of control so that they fear their uncovering and decide to secretly return the money, which – after some confusion produced by mentally handicapped Milton who has been humiliated by the boss so far and therefore sets the whole office on fire – finally brings all of them to a happy life in relief, relaxation and harmony. But before that relaxation can ease his life, Peter is exposed to a variety of stressors (most of them having been discussed in our lesson) at the beginning of the movie. Most prominent are task-related job stressors. Peter is responsible for essential reports to fix millennium bugs in bank software and simultaneously works for eight bosses. This situation sets him under daily pressure when e.g. his boss asks him to deliver a report by the same day he didn’t even start working on by midday, or when he gets negative feedback from all his bosses for a single mistake. Together with high levels of monotony and the fact that he has almost no control on the type and amount of work he’s got to do within rigid deadlines, this situation is a constant source of psychological pressure and imbalance. Additional stress originates from physical stressors like the need to work in small and stuffed office boxes, disturbances by loud and annoying office equipment or by getting periodic calls from colleagues and bosses, like e.g. Milton, who permanently talks crab and even calls him on the phone for that. Further stressors can be identified as demanding and privacy-hostile working-time arrangements. When he for example tries hard to escape his boss on a Friday afternoon to not risk a â€Å"last-minute† weekend shift, but badly fails, one can imagine that the view of a boring and stressful Saturday at work is everything but relaxing. But even in his private life poor Peter is far from being relaxed and easygoing. When he for instance comes home to relax after a long day in the office, his neighbour can hear every single breath he does and they can talk to each other through the thin wall, which can be considered as a kind of social stressor within his own apartment. The same is true for his fear to talk to the waitress in his favourite lunch restaurant, who he always wants to invite for a date, but never finds enough courage to do so. All those stressors show obvious consequences and lead to clear symptoms of strain. While no real physiological strain in form of illness or injury is shown in the movie (although I’d be quite sure that he suffers from high blood pressure!), job-related and emotional signs of strain are heavily appearing. In his job, Peter reacts to raising stressors with lack of motivation and a clearly decreased satisfaction in both his professional and private life. Emotional strain can be identified in his general burnout symptoms and e.g. in dramatic loss of patience. The latter is nicely shown at the very beginning of the movie, when he is stuck in heavy traffic and tries to be faster by permanently changing lanes to the assumed faster one – which of course turns out to be a totally wrong strategy and makes him proceed even slower than an old and handicapped pedestrian on the sidewalk. To deal with his stressors, Peter applies several coping strategies in both problem-focussed and emotion-focussed manners. His activities to start work always late, to avoid real work as good as possible and to play computer games or surf in the internet instead, can all be classified as problem-focussed because they all are an attempt to change the stress producing conditions at work and make his daily routine more relaxed. The same is true for his regular and elongated coffee breaks with Michael and Samir, independently if there is the boss waiting or an urgent deadline approaching. On the other hand, his decision to undergo a hypnosis therapy is an emotion-focussed coping strategy, because it’s an internal process to change his attitude to stressful events, rather than changing the cause of stress itself. However, I believe those two categories of coping strategies are somewhat flexible and interfering, since a persons’ internal attitude towards a job can become a stressor itself by e.g. setting a person under additional pressure to fulfil certain tasks under high self-expectations. However, it was the hypnosis that finally brought substantial relief and relaxation in Peters life. Due to the – unplanned – fact that he stayed trapped in his hypnotized state, he managed to approach both his work and his private life in a very relaxed and cool way, and even when initially not expected by himself and his environment, led to an increase in his motivation, joy, brought him more credit in his professional evaluation and finally facilitated a relaxed and satisfied life. Even when the movie is clearly exaggerating at many points, the basic idea of how Peter is coping with the mentioned stressors is quite reasonable to me. In an office environment it is normally quite difficult to change tight work schedules, deadlines or an over demanding boss. For that reason, the attempt to minimize stress by e.g. keeping social contacts in coffee breaks or maintaining short resting phases during work seem to be helpful and applicable coping mechanisms. If by hypnosis or any other method, the relaxation of internal tension seems to be most reasonable to me. In real life changes will certainly never be as dramatic as shown in the movie, but reducing internal pressure can surely help to find a way back to a relaxed and balanced life, which doubtlessly can increase overall satisfaction, joy and motivation. This can by the way partially be supported by allowing aggressions against bothersome machines like the poor office printer in the movie†¦ I do believe that such behaviour can bring big relief sometimes!

Android-Arduino Communication System

Android-Arduino Communication System ROBOTIC CONTROL WITH ANDROID PC USING X-BEE T.M.Sirish J.R.SURESH BABU Abstract — The paper is concerned with the Android-Arduino communication and Computer communication by integrating mobile wheel robots with X-Bee communication protocol. Arduino controls tasks such as obstacle and collision avoidances following, autonomously movement, and indoor localization of group robots are implemented toward an autonomously control of robot. Mobile robotics is a technology and a research area where we witness tremendable advances for the last decades and it finds application in areas like agriculture, medical services, hazard environments, space explo-ration, military, intelligent transportation, social robotics, and entertainment. XBees provide wireless communication. As a system, the advantages are very obvious compared with other technology. Keywords— X-Bee, Adruino, Android, IR, Ultrasonic I. INTRODUCTION Robots may interact in the same location as users control them from any place in the world using internet and wireless networks for this purpose. Sensor based approach uses various kinds of sensors such as IR sensors and ultrasonic sensors.IR sensors are generally used for measuring the difference in reflectivity of surfaces depending on the properties like color, roughness. Ultrasonic sensors are used to measure the distance to an object. Robots are built to navigate using these out puts according to the application. The idea is to design the Sensor platform with accurate angle control this continuously collects the distance data in an automatic way where the Robot is controlled by Android app and transfer ultrasonic sensor data to PC. An idea is to build an actual robot that is subject to wireless operation from a PC or a Android. It reads sensor and robot data from file and to Generate map of surrounding environment. Robots are capable of interacting with the objects. The design i n this paper comprises of the chassis will also house the PCB and proximity sensors that will continually provide feedback to the user. Proximity sensors are able to assist the operator in navigating across inhibiting terrain even if communication link with the operator is broken. Robot automatically stops if it detects an obstacle. Due to the Android and Arduino combination, the robot can interact with the person and provide an easy development platform for future improvement. The paper[1],[2] deals with the route navigation and the Application of Zigbee and [3],[4],[5] and [6] emphasis task scheduling on low cost arduino and distance measuring sensors. II. PRINCIPLE OF WORKING Wireless sensor network system will not only reduce the system cost in term of facilities setup and labor cost. It also provides flexibility in system in term of distance or location. The fundamental design and implementation of ultrasonic sensor based robot on Android/PC featuring a XBee based technology[1] The developed platform is cost-effective and as well as the effect on reducing energy consumption. The platform consists the components Android phone, Arduino mega adk, Motor Driver shield, ultrasonic sensor[5], IR sensor and Xbee module. It features the Atmega16U2 programmed as a USB-to-serial converter. The Arduino programming is very simple; uses its own language based on the popular C high level programming language and supports all standard C and some C++ functions. The operating voltage of the board is 6 to 20 volts. The recommended range is 7 to 12 volts. This is designed to control a robot with an aid of Android application[6]. Xbee is interfaced to the control the robot using android application. Where one end of xbee is interfaced with android application which is used to transmit the commands and receiver end robot is attached which is used to control in all directions. Figure 1: Arduino Mega adk Operating voltage 9-12 volts IR Range 6cm Ultrasonic Range 3 cm Degree of rotation 180 degree Communication frequency 2.4 Ghz Table 1 Specifications III. HARDWARE ARCHITECTURE X-bee The X-bee modules allow serial links of TTL signals on distances of 30m indoors, 100m outdoors with line of sight which would be enough to control the electronic wheelchair. IEEE 802.15.4 standard for Zigbee operates in the band: ISM (Industrial Scientific and Medical), 868 MHz in Europe, 915 MHz in the U.S. and Australia, and 2.4 GHz in most jurisdictions around the world[2]. This technology is simpler, cheaper and has lower power consumption than other WPANs such as Bluetooth. The problem is to the need to detect the obstacle in the path of the robot, to sense and find alternative paths of the robot. Figure 2. XBee The Ping which works by sending out a burst of ultrasound to detect the closest object and listens to the echo after hitting the object. The short pulse from the Arduino board is send to trigger the detection, and then listens for a pulse on the same pin using the pulse. The second pulse duration is e the time taken by the ultrasound to travel to the object which is equal to the time taken to travel back to the sensor[4]. This time can be converted to distance by the velocity of light. We use IR transceiver and comparator IC LM324 for detecting the obstacle. The component deals with two major issues. They are as follows: 1. It avoids the collisions with walls and other obstacles. 2. It avoids the prototype be fallen down from the steps on its way. Figure 3. Ultrasonic Range Finder B Android Android is a Linux based Open Source operating system developed by Google to power smart phones. In order to provide productive application development, applications can be developed using Java and easily tested and deployed to devices with Android. Development can be done with a simulator or with real devices. Using Android Application Programming Interface (API) features a rich ground of options for robot developers. Programming by commands commonly feature for robots, works seamlessly on Android. Using Android’s API, a programmer can make his robot to act. Android’s API also offers easy access to camera and orientation sensors. Some devices have only accelerometer, while other have accelerometer and compass, and others gyroscopes. The same orientation function calls can be used to query these sensors, independently of the device. One limitation that most mobile phones don’t have a USB Host port, so no USB accessories such as mice can be connected to them. To b ypass this limitation, Open Accessory API allows accessories to be the USB Host. This allows external custom hardware to interact with Android programs. Navigation of a mobile robot in an unknown environment is possible by sensors which obtain the information of surrounding environment. For effective communication between mobile robots we need to use some sensors. Therefore mobile phone sensors can be categorised such as the Sensors used for collecting information about environment, for communication between mobile robots, for collecting information and also for communication[5]. IV. DESIGN The Android application makes it effective to Control a robotic vehicle which is interfaced to the control unit on the robot for sensing the signals transmitted by the Android application. With an aid of the smart-phone/PC with Android OS, upon a GUI based touch screen operation the Remote operation is achieved[6]. At the Transmitting end, it uses an Android application device remote through which commands are transmitted and at the receiver end, the directions such as forward, backward and left or right are controlled by the commands from the Android by the user end which are used for controlling the robot. The movement is achieved by motor shield that is interfaced to the Arduino. Serial communication data sent from the android application is received by a Zigbee receiver interfaced to the Arduino. Figure 4. Block diagram of communication The shield for Arduino has the DC Motor interface. The interface is built around the L293DC Motor driver IC. It has a obstacle sensor to detect within 6cm range. If IR is used, we can be able to detect the obstacle. The interfaces have to be selected with the jumper. The obstacle sensor is an IR sensor which is used for detecting the obstacles and acts in impulsion to safeguard. In ultrasonic sensor, we use ping function which detects the distance of the closest object in front of the sensor and sends the data to the mobile. To run the DC motor, enable line be high, set I1 line to High and I2 line to Low which rotates in one direction and set I1 line to, low and I2 line to High which rotates in another direction[1]. V. FUTURE WORK Extensions of our current work include an extension to camera implementation which will be useful for deploying sensor networks in large areas. VI. CONCLUSION The system is highly flexible and scalable and can be expanded to other applications. On the software side, our Android application ensures that the system enables energy saving, and can suggest task scheduling with both instantaneous power and cost considerations. Our future work includes the implementation of additional applications, the refinement of our implementation, especially with regard to communication and possibly porting our network stack to other platforms. Acknowledgment I am very grateful to my guide Mr.J.Sureshbabu, Scientist-B, National Institute of Electronics Information Technology(NIELIT),Chennai who provided us with effective information regarding the functioning of System.I also extend our sincere thanks to all those people who have helped us successfully design and implement this system. REFERENCES [1] Route Navigation System in ZigBee-Based Sensor Networks Li Wenze ; Sch. of Inf. Telecommunication., Beijing Univ. of Posts Telecommunication, BeijinChina ; Han Yufen ; KangGuixia;SunJing Wireless Communications, Networking and Mobile Computing, 2009. WiCom 09. 5th International Conference bejing on 24-26 Sept. 2009 . [2] Applicability of ZigBee for Real-Time Networked Motor Control Systems Ulugbek R. Umirov1, Seong-Hyun Jeong and Jung-Il Park Department of Electronic Engineering, Yeungnam University, Gyeongsan, Korea Control, Automation and Systems, 2008. ICCAS 2008. International Conference seou on14-17 Oct. 2008, 2937 – 2940. [3] Low cost Arduino/Android-based Energy-Efficient Home Automation System with Smart Task Scheduling Kim Baraka, Marc Ghobril, Sami Malek, Rouwaida Kanj, Ayman Kayssi Department of Electrical and Computer Engineering American University of Beirut Computational Intelligence, Communication Systems and Networks (CICSyN), 2013 Fifth International Conference on 5-7 June 2013 Madrid, 296 301 [4] New approach of ultrasonic distance measurement technique in robot applications G.Hueber, T.Ostermann, T.Bauernfeind, R. Raschhofer, R.Hagelauer Dept. of Microelectronics. Research Institute of Integrated Circuits, A-4040 Linz, Austria. [5] Remote Controlling for Ring-type Traveling Ultrasonic Motor Based on Zigbee Juping Gu, Laiwu Luo,Xiao Wu, Hui Yang ,Liang Hua ,Shenbei Qin Yuyun Liu Department of Electrical Engineering, Nantong University Department of Electrical Engineering, Southeast University., China. Electrical Machines and Systems (ICEMS), 2013 International Conference on 26-29 Oct. 2013 Busa, 748 – 751. [6] Controlling Physical Objects via the Internet using the Arduino Platform over 802.15.4 Networks V. Georgitzikis, O. Akribopoulos and I. Chatzigiannakis. Latin America Transactions, IEEE (Revista IEEE America Latina)(Volume:10 ,Issue: 3), April 2012 ,1686 – 1689.

Feminism And Nationalist Themes

Feminism And Nationalist Themes The twentieth century Indian literature has drawn a considerable amount of its themes especially feminism and nationalist themes from two major epics: The Mahabharata and The Ramayana. Like Bible in European culture these two major epics dominates the Indian culture strongly and powerfully because they discuss all the major problems that are faced by all kinds of people. They discuss the issues of social inequality, gender inequality and for the rights of the lower class people too. Especially in India, for most of the people, myth is a lived reality, is a part of ones lived reality, every day existence, and large communities of people live by myths. As Daniel Tehapda, the philosopher from Cameroon states in La Place du my the dans Lexistence du negro-African. Another critic Ritwik Ghatak says the purpose of using such ancient myths and traditional music is to constantly point towards some dormant inspiration that lies hidden in reality. Sita, the female protagonist of the Ramayana and Draupadi, the female protagonist of the Mahabharata have become signs or cultural icons as pativratas (ideal wives) and as earth born Goddess. In the epics and in the culture that influenced and is influenced by them, a woman alone, a woman the powerful, a woman capable of bringing shame upon her family-that is to say, any woman is a woman in need of control. On a relatively innocent level, she is viewed as vulnerable creature in need of masculine protection. More insidiously, she is seen as essentially unable to control her own fatal force. But literary texts have brought subtle readings of these two epic women- sita can wage a psychological war against her captor Ravana; Draupadi can argue. The Mahabharata, attributed to Vyasa, is generally agreed to have been composed between 500BCEto 400CE. The Ramayana, attributed to Valmiki, is likely between 200BCE to 200CE. In the eleventh century, the Tamil poet Kamban wrote a recension in the south, and in the sixteenth century,Tulsidas translated the epic into Avadi(old hindu),which was later brought into Bengali by Krittivasa,and into modern Hindi. William Jones translated it to English. Both the epics recension of oral and written have emerged in all major Indian languages, as well as in European languages, from palm leaf into paper, drama, film, poem, etc. When one speaks of epic in India at large, with its literate and non literate audiences, no one written text is necessary to mind: Mahabharata or Ramayana is more likely to be envisioned. Doordharshan televised version of Ramayana, generally based on Tulsidas, but incorporating other major texts, faithfully watched by over80,000,000viewers,some of whom Bathed before watching, garlanded the set like a shrine, and considered viewing of Rama to be a religious experience. (Rich man 3) Most of the versions of epics focus upon the tradional heroes (Rama in the Ramayana, the Pandava brothers in the Mahabharata); only very few versions focus the views of the heroine. India is casted as Bharathmata, a maternal figure who has been captured, insulted humiliated by evil men or rakshasas (demons) Draupadi at the hands of Duryodhana, Sita at the hands of Ravana. Social activists or writers perceive the darkness and power of sita and Draupadi to rescue from their avenging figure to liberate one of a nation, of a gender, of a class. This chapter concentrates on the major crisis Sitas reunion with Rama at Valmikis Ashram; Draupadis humiliation at Hastinapura after Yudhistra has lost her in a game of dice, the innocent lives of innocent people was written or reworked in literature. Mahaswetha Devi says, Im not a student of history but anyway I read, I wrote, then I tore away the pages, I collected folklores, ballads, things like that. I was drawn to the great importance of collecting the oral traditions. I was only 26 or 28. Because at the time Thakur mansingh was operating. I had left my child son at home with my husband. I went to all these places. Never have I faced any danger, except one small Encounter with a dacoit. That was the time when I realized that oral tradition, folk material, is very important of historical, material. So those must be kept and preserved and printed if possible, because when these people die, the next generation, their life style might change, they will not see these. Indian people anywhere, tribal or non-tribal whatever happens; they keep it alive in folklores. Else, you will be surprised to know how many songs about Telegana struggle have been collected and published. I have taken After Kurukshetra story collection, Dopdi from Breast Stories and Ambais Atavi for the study. In all these stories, the women move on. They do not wait for endings. They meet the demands of life and find resolutions in nature. The Mahabharata and the Ramayana has received a great deal of exegetical and explicatory attention over the years, yet the voices of the oppressed in the great epic have remained a somewhat neglected field of critical enquiry. Mahaswetha Devi and Ambais palpable intention is to underscore the contrast between the Rajavritta and Lokavritta, in which one Honours and celebrates life. Kunti and Nishadin epitomize these two contrasting world vies respectively. The fifteenth chapter of the original version of the Mahabharata the ashram Vasik Parva describes the three years stay of the three familiar characters of the great epic Dhritarashtra, Gandhari, Kunti- in a forest towards end of their lives. After fifteen years of reign, they opt for a life of vanaprastha which is the third of the four stages of life, prescribed tradition for a caste Hindu, the stage of abandoning worldly affairs. Much against his wishes, Yudhistra lets them go. One day, as Dhritarashtra finishes his ablutions and returns to their hermitage, he comes to know that the forest has caught fire. The wind blows and the flames spread everywhere. The animals and the birds start deserting the forest. The blind Dhritarashtra, Gandhari with her blindfolded eyes and kunti, all awaiting death, ready to give themselves up to the flames. They have spent their times in penance, prayers and yogas till their death in the forest-fire. In her attempt to rewrite the story, Devi has made a couple of brilliant interpolations-Kuntis confession, her guilt-stricken conscience at being unwed mother and her helplessness in not accepting Karna as her son in public. What shocks her more is the Nishadins reminder of a greater crime committed by her, of which she was totally unaware, that is, the murder of six innocents belonging to the lower caste society. In her introduction to the politics of literary theory and representation, Pankaj.K.Singh states that, this is an interrogative rewriting of a segment of the Mahabharata from the point of view of the Nishadin whose mother-in-law and her five sons were made to die in the fire of Lakshagriha to cover the escape of Kunti and her sons, and who holds up for interrogation the whole practice of Rajavritta. Commenting upon its cotemporary relevance Singh states further that contemporary India has its own subalterns in the lower castes, the tribal, the landless, the poor and their women, Devi gives voice in her writing. Devi says, its my realization that the more we read through the lines and give voice to the countless infantryman used to protect the landed epical heroes, the dasis (mother of vidura, mother yuyutsu and countless others) and the vratyas used as cannon fodder during rajavritta emergency, the more the mythical time come into focus and the eternal game of politics comes into view. The first thing which strikes us, as the story opens, is the pitiable, pathetic plight of Kunti, the mother of mighty pandavas, queen of Pandu undergoes an existential despair, Mother of the Pandava, wife of Pandu, the role of a daughter-in-law, the role of a queen, the role of a mother, playing these hundreds of roles where was the space, the time to be her true self? All that while, amazingly she never felt that anything was hers, hers alone. She feels betrayed by life, now, she cant bear to keep it all locked inside her. But never tried to learn the life style of Nishadins, even she did not care their presence, one day she sees some middle-aged Nishadins moving about the forest with their children and familiesà ¢Ã¢â€š ¬Ã‚ ¦ Kunti never tried to learns the language they speak. Kunti is not happy, she laments of her present situation, whereas Nishadins are happy without any crumbling. This forest is full of tall, resinous trees. They gather this resin, honey, tubers and roots. They seem to be a tranquil, happy, hardworking lot, their faces always wreathed in breath smiles. After watching nishadins life Kunti feels that she has wasted her life by following the rituals of rajavritta. Watching Nishadins, it strikes her for the first time that she is wasting herself living like this, subsisting on rotting, withered leaves. Blindly following predetermined predestined path to death. Then realizes that, she never knew that she carried within her such a burden of unspoken thoughts. She feels guilty of being on unwed mother to Karna, one of the greatest heroes of Mahabharata and her helplessness, in accepting him openly as her son because of the oppressive patriarchal social order gnaws away at her conscience, Karna looked so much at peace as he lay there, dead. Gandharis piercing cry at the sight of Karnas body struck me like a whip. Why did I not have the courage? To cradle Karnas severed head in my lap and say, this is my first born? Dhananjaya! You have murdered your eldest brother! The son I abandoned for fear of public shame! Had I not disowned him, my name would have been sullied forever. Karna is the only one of my sons whose father I took of my own free will. What irony! What irony! Not one of the five pandavas as is sired by Pandu! Yet they are Pandavas. And Karna? A carpenters son. O! Ancient mother! That day Kunti stayed silent. What greater sin can there be? Gandhari knew she was pure and innocent. This knowledge gave her courage to publicly speak t he truth. Death is approaching slowly towards her and she feels the urge to unburden herself before she dies. She knows that the confession at this stage is urgent because Silence would be unpardonable. Then, her second confession, its about when she directly went to Karna asking him to leave Duryodhana and join to Yudhisthira I hesitated no more. I have not committed just, one sin, after all. I had not told my sons about the birth of Karna. Then, the day before the battle, I went to Karna and told him, abandon Duryodhana, side with yudhisthira. At this time she feels for being Rajavritta, living in the Rajavritta makes one cunning, treacherous. Because love did not dry Kunti to meet Karna only her self-interest did. Against the world of Rajavritta, the dark Virgilian world of deceit, duplicity and double moral standard stands the world of Lokavritta, world of Nishadins that is guided by natures law, where different standards of judgments do not have any place. Natures law. Nature abhors waste. We honour life. When a man and woman come together, they create a new life. But you wont understand. As the Nishadin proudly tells Kuti, we do not deny the demands of life. If we are widowed we have the right to remarry. Those who wish to, can marry again. We did so. We have husbands, childrenà ¢Ã¢â€š ¬Ã‚ ¦ an eye for an eye, a tooth for a tooth that is the way of the Rajavritta. That is what Kurukshetra was all about. The Lokavrittas ways are different. The conversation between Kunti and Nishadin brings out the sharp contrast between the worlds of Lokavritta and Rajavritta, the Rajavritta folk and the Lokavritta folk have different values, different ideas of right and wrong. If a young Nishadin girl makes love to the boy of her choice and gets pregnant, we celebrate it with a wedding. After the conversation Kunti understands clearly that Lokavrittas moral and spiritual ethics have been destroyed by the Rajavritta and which does not allow her to lead instinctive life and to confess her sin. It is in the forest Kunti realizes her true self, do not forgive me, o mother! The brute wealth of the royal palace, the might of the son on the throne, I felt caged and torn to pieces. Kunti dreams of her past life. She recalls her life as Rajavritta, the life of Rajavritta was so different, and she had so many roles to play. Deep in the forest she notices the Nishadins but nothing registers on her mind, oh, yes, I not only understand it, I speak it too. Of course you never thought of us as human, did you? No more than mute rocks, or trees, or animals. The Nishadins are so self-composed, hardworking, innocent people. But Rajavritta knows only to attend the Brahmins and worshipping the Gods. Kunti does not remember ever talking to a lower-class people, how could they? Her life had been the Rajavritta, the Gods, serving the Brahmins. Had she ever spoken to a dasi? Had she developed any genuine bond with hidimba? Life outside the Rajavritta had not touched her at all. Kunti wishes to confess, to purge herself of the sins she had committed. After every confession Kunti finds herself at peace, cleansed light and on every occasion. The nishadins hear her maternal lamentations, but Kunti believes them to be as dumb as rocks. Nishadins do not know her language or Kunti their, still the elderly nishadins reprimands her: no confessing of sins today? Youà ¢Ã¢â€š ¬Ã‚ ¦youà ¢Ã¢â€š ¬Ã‚ ¦ Ive heard you out day after day, waiting to see if you will confess your gravest sin. Your languageà ¢Ã¢â€š ¬Ã‚ ¦likes mineà ¢Ã¢â€š ¬Ã‚ ¦? Oh yes, I not only understand it, I speak it too. Of course you never thought of us as human, did you? No more than the mute rocks or animals. The elderly Nishadin accuses her of committing the most heinous crime, the massacre of innocents for self-interest. As the Varanavata episode from the Mahabharata was a conspiracy to kill Pandavas. But the Pandavas came to know the plan of Kauravas and hatched a counter-plan for survival. When the vax palace was set to fire by the trusted soldiers of Duryodhana, the pandavas escaped through a secret tunnel. In order to make the Kauravas to believe that Kunti and Pandavas were burnt to death, an elderly Nishadin and her five sons were invited to a feast and oceans of wine were served with food. The innocent Nishadin and her five sons drank too much and slept well. The elderly Nishadin, in Mahaswetas story whom discusses with Kunti is none other than the daughter-in-law of the dead old Nishadin. Kunti is shocked by this revelation and fears for her life. The elderly Nishadin makes clear view of their (tribal) ethics to kunti. She says, no I wont kill you. The Nishadin informs Kunti that a forest fire, which is disastrous natural phenomenon, has already broken out. She says, Yes, we can tell, from smelling the air, just as the other creatures of the forest can, that a fire has started. That is why they are fleeing like we are. Where to? Far away, beyond the reach of the forest fire. Where there are mountains, lakes and winding rivers. Kunti asks for forgiveness but the elderly Nishadin says, three blind, weak and infirm people cannot make it there. One is blind from birth, another has chosen to be a blind, and you, you are the blindest of the three. The thought of forest fire makes Kunti fearful but the Nishadin is not ready to forgive. She believes that it is easy for the Rajavritta to commit sin. to beg forgiveness is typical of the Rajavritta . The narrative ends with Kuntis acceptance of the destiny with the sense of finality. She got up. She has to go back to the Ashram. Wait for the forest fire. Dhritarashtra and Gandhari, after their loss of a hundred sons, are waiting patiently for death, waiting for the final fire to consume them. Kunti also welcomes death. In the story the five women, the narrators are five war widows, their husbands, foot soldiers, died in Kurukshetra war to protect the chariot mounted heroes. these women are not of the rajavritta, women of royalty, nor are they servants or attendants. These women are from the families of the hundreds of foot-soldiers Podatics from various other little kingdom. The women of Rajavritta strictly follow the ordeal but the women of Janavritta lives life in close association with the natural world. The Rajavritta is represented by Kunti, Draupadi, Subhadara and the pregnant Uttara where as the five women from the Kurujangal represent the Janavritta. I am Godhumi. This is Gomathi, holding my hand. That is Yamuna, with the red spot between her brows. That one standing there with a finger on her chin is Vitasta. And this is Vipasha, Vitastas sister. The five women consider the war as futile clash of egos, so many great kings joined in a war between brothers. Some choose one side, some cross over to the other. It was not just brother slaughtering brother. We know of quarrels jealousies rivalries too. But such a war for just a throne? This, a holy war?! A righteous war?! Just call it a war of greed! The five women are appointed to keep Uttara company and help her to overcome her grief. But to Uttara all the five women seems to be inseparable. the five women seem to think as one. They are so close that they seem to understand each other without words, speak to one another with their eyes alone. They look, they understand. The companionship of these five women is in contrast to the isolation of the women of the Rajavritta. Uttara feels as a stranger to them. Uttara, like the other women of Rajavritta believes that all the soldiers who died in the holy war are very secured in Divyalok the heaven, but the five young women reject this idea. Gothumi says, no chariots came down from Divyalok. They did not go to heaven. The foot soldiers, died fighting in the very same Dharmayudha. But no funeral rites were held for their souls. Further they reject the idea of Dharmayudha, this was not out Dharmayudha. Brother kills brother, uncle kills nephew, shishya kills guru. It may be your idea of dharma, it is not ours. The Janavritta women enjoy the public participation where as it is denied to rajavritta. Thus Uttara expresses surprise, imagine men and women singing together. The rajavritta women have no companionship or bond with their child, at best her child will stay with her a year. After that, the wet nurses will take over its upbringing. Royal offspring are not raised by their mothers. Then will begin the prescribed rites and rituals, the self-denial, the penance. So, this story clearly shows that the rajavrittas were restricted by false notions of high civilization. The natural human state is represented by the five Kurunjugal tribal women, whose life, ideas and quests are opposite to the destructive and sterile attitudes of the higher class of society. Uttara understands the difference and is not ready to leave them. But as widows of rajavritta, all the women (widows) concerns only for Uttara and not for the five young widow. Rajavritta women expect them to give a good company to Uttara because she may beget a son for the throne. how anxious her mother-in-law are! Draupadi, Subhadara, all the others, are deeply worried. If Uttara bears a son, he will be a king. After becoming so close with the five people Uttara used to question, did the rajavritta the royalty ever care to know about the Janavritta common humanity? through the story the five women Mahasweta Devi reveals to the reader the other side of Kurukshetra war and the ingenious of rajavritta women towards Lokavritta people. The third story, Souvali focuses on the irreconcibility of the rajavritta and the Janavritta. Souvali is a former handmaid who served to Dhritarashtra and bore him a son named Souvalya; known as yuyutsu. Souvali, a woman from Janavritta is forced to send her son to the Gurugrigha at the age of five. She is not able to bare the life of Janavritta so she gives up her dasi status and lives outside of the town, waiting for her son to return. On the margins of the town live the marginalized. Their settlement is a lively, noisy place. The alleys are narrow, the houses small. Ponds here and there, surrounded by trees, cattle sheds beside the huts. There, on the stoop of a large hut, sat Souvali. Souvalya is insulted and discriminated from the Kauravas, Dasiputra! Slave child! Its because of this Dasiputra that you got water from a sons hand! Kunti! Gandhari! Gandhari never once, in all these years, acknowledged you as a Kaurava. But he only performs the last rites (tarpan) for Dhritarashtra after the forest fire. The conversation between mother and son reveals that Souvalya is happy to rise above the status of dasi-putra by the pandavas. But his mother is not happy to accept the recognition rather she calls it as a farce. She wants her son to be a Janavritta, her son is foolish. Following the norms and customs of royalty even though he is one of the common folk. She thinks to herself, if you must learn, learn from your mother. I was nothing but a dasi in the royal house-hold but here, amongst the common people, Im a free woman. This story shows the difference between centre and the margins of society. its true. Its in the janavritta,amongst the common people, that we are in touch with our natural emotions. Tenderness,caring,compassion romance,love anger,jealousy. But in the rajavritta,you know how they keep such natural emotions strictly in check. Thus, mahasweta devi shows the two types- the subaltern as gendered subject and the subaltern as class subject clearly. The charcters exemplify the twin problems of class and gender. Mahasweta devis another story draupadi concentrates on the major crisis of drupadis humiliation at hastinapura after yudhistra has lost her in a game of dice. Briefly the Mahabharata chronicles the ancestry and the escalating conflicts of two sets of the brothers, the pandavas and the kaurauvas,for ruler ship of the land. In most recensions, drupadi is born from the earth(although some have her emerging from the fire of her fathers ritual sacrifice). Not long thereafter (she emerges as a young woman of marriageable age), her father arranges a sw aymvara, a gathering of eligible men who compete for her hand in marriage. Arjuna, the third of the five pandavas,wins,as she had hoped he would. But when he returns with his brothers to tell their mother the joyful news, their mother thinking he has won some material goods, commands him to share his winnings with his brothers. As her word can never be taken back, arjuna must share her, to the consternation of all. Draupadi marries all five pandavas in turn, yudishtra, the eldest and wisest; Bhima,noted for his physical strength and tenderheartedness; Arjuna, the consummate warrior, friend of Krishna, and Draupadis favourite; and the twins nakula and sahadeva, celebrated for their good looks. They device an arrangement to eradicate jealousy: beginning with Yudhisthira, each brother ha sole right of conjugal acces to Draupadi for a year at atime, during which the other may not even accidently enter the marital bedroom. Draupadi bears a son to each husband. Eventually, due to pressure exerted upon them by the king Dhritarashtra, the two sets of brothers reconcile, although mutual suspicion remains. In a move of anticipatory, Dhritarashtra divides up the kingdom between the two sides of the family: half to the pandavas and the other half to the hundred kauravas, an arrangement most unsatisfactory to the kauravas. The leading kaurava , Aduryodhana, arranges for yudhisthiras horse sacrifice and coronation,followed in the kauravas grand assembly hall by a ritual game of dice in which players are supposed to ceremonially lose to the new king. But Duryodhana puts his maternal uncle Sakuni, a master at dice, to play in his stead, and the loaded dice take away yudhistras land, wealth and slaves. Yudhistra then stakes each of his brothers in turn, again losing each time. He stakes himself, and again he loses. While the pandavas, stripped to their undergarments, stand aside helplessly as slaves, Duryodhana demands that Draupadi be brought out of the womens hall, and sends a messenger to fetch her. Informed about what has just occurred, she asks whether Yudhishtra lost her before or after he lost himself, and argues that one who no longer owns himself cannot own another to give up. She sends back the messenger. Another messenger is sent, and again returns. Finally, in frustration, Duhshasana himself goes to the womens hall; Drupadi tells him to leave her alone that she is having her period and unable to come to mens gathering. Ignoring her protestations, he drags her by the hair out to the assembly hall, where she pleads in vain with her husbands to help her, which they cannot do. Draupadis fury unmans all present. A debate ensues, interrupted by Duhshanans demanding that Draupadi be stripped, and Duryodhana laughingly patting his thigh to invite her to sit. This humiliation in the assembley hall is Draupadis central crisis, and is related in varying ways. Most recensions show her caling for Krishna to protect her; some show her merely as being jeeringly told to pray. In either case, a miracle occurs: as Duhshasana pulls at the cloth, Draupadi remains clothed:sari after sari appears, and ultimately, after pulling off hundreds of saris, Duhshasana collapses,weary and confused. Dhritarashtra halts the proceedings and grands Draupadi twoo boons. She asks for the freedom of Yudhisthira and for that of the other pandavas. The king grands freedom to every one, and restores all of their posssssessions and land to the pandavas. A second dice game ensues, which Yudhisthira again loses:the terms of the loss are that the pandavas must go into exile for twelve years, remain in exile in disguissse for another year, after which their half of the kingdom would be restored.draupadi follows them into exile, and tjhrought their years away from the kingdom is most eager for revenge: Bhima fulfill his promise to break Duryodhanas thigh and to drink Duhshasanas blood. A reworking of the mahabharatas assembly hall scene, draupadi brings forward the struggle of a santal woman(black like the epics draupadi, for whom she has been named by her mothers master). A cadre in the naxalbari rebellion, draupadi, in the text referred as dopdi is ultimately captured by senanayak, a Bengali army officer whose expertise in anthropology makes him perfect for the task of apprehending tribals. in order to destroy the enemy,become one . senanayak has become one just as in the Mahabharata , kauravas planned to wipe out draupadis husband,the five pandavas. Both the narratives clearly show the struggle of less powered people at the hands of powered ones and the less powered peoples wake of the powerful cheating. Similarly to the disempowering of the epic draupadis husbands,who,enslaved by the loss at the dice,cannot move,dopdis husband is murdered. on one such search, army informant Dukhiram Gharari saw a young Santhal man lying on his stomach on a flat stone, dipping h is face to drink water. The soldiers shot him as he lay. As the 303 threw him off spread- eagled nd brought a bloody foam to his mouth, he roared Ma-ho and then went limp. They realize later that it was the redoubtable Dulna Majhi. She refuses to fall into the armys trap by going to bend his body. The problem is thus solved. Then, leaving Dulnas body on the stone, the soldiers climb the trees in green camouflage. They embrace the leafy boughs like so many great God pass and wait as the large red ants bite their private parts. To see if anyone comes to take away the baby. This is the hunters way, not the soldiers. But senanayak knows that these brutes can not be dispatched by the approved method. So he asks his men to draw the prey with a corpse as bait. All will come clear, he says. I have almost deciphered Dopdis song. The soldiers get going at his command. But no one comes to claim Dulnas Corpse. Rather than lead her pursuers to capture other rebels, Dopdilets herself be caught, refuses to tell names.unlike the epic Draupadi,whose sari flow out in endless profusion,she is stripped, Draupadi mejhen was apprehended at 6.53 pm. It took an hour to get her to camp. Questioning took another hour exactly. No one touched her, and she was allowed to sit on a canvas camp stool. At 8.57 senanayaks dinner hour approached, and saying,Make her. Do the needful, he disappeared. The next day she is ordered to senanayaks tent and offered a pot water to slake her by-now overpowering thirst. But her response upsets all expections, Draupadi stands up. She pours the water down on the ground. Tears her piece of cloth with her teeth. Seeing such strange behavior,the guard says,shes gone crazy, and runs for orders. He can lead the prisoner out but does not know what to do if the prisoner behaves incomprehenstably .so he goes to ask his superior. Mahasweta devis Deaupadi refuses to be clothed again. She forces the confrontation with her tormentors-letting them see exactly what they have done to her, refusing to futilely attempt to cover herself. No goddess will come to help her and no king will fight for her behalf. Senanayk is paralysed at what he sees, Draupadistands before him, naked. Thigh and public hait matted with dry blood. Two breasts,two wounds. What is this? He is about to bark. Draupadi comes closert. Stands with her hand on her hip, laughs and says, The object of your search,Dopdi Mejhen. You asked them to make me up, dont you want to see how they made me? Where are her clothes? wont put them on,sir. Tearing them. Drauypadis black body comes even closer. Draupadi shakes wih an indomitable laughter that senanayak simply cannot understand. Her raveged lips bleed as she begins laughing. Draupadi wipes the blood on her palm and says in a voice that is as terrifying, sky spiliting and sharp as her ululation,whats the use of clothes? You can stripe me, but how can you clothe me again?are you a Man? She looks around and chooses thr front of senanayaks white bush shirt to spit a bloody gob at and says, There isnt a man here that I should be ashamed. I will not let you put my clothe on me. What more can you do? Come on, counter me- come on counter me-? Draupadi pushes senanayak with her two mangled breasts, and for the first time senanayak is afraid to stand before an unarmed target, terribly afraid. In the Mahabharata Draupadi is dragged from her menstrual cycle into the assembly hall in one garment, the stained garment is signifier that dushasana is expected to understand. She is not to be touched, and she certainly is not to be brought to the view of men. She reminds him,but he mocks at her and forces her to be in the hall. Dopdis signifiers of bllod, in contrast , mark a rape and torture completed rather than forestalled. The soldiers and senanayak are paralysed rather than goaded like Duhshasana into further action. Like the epic Draupadiu, who decries the impotence of her husbands, dopdi can find no man present within the camp. Ferociously, she defiles senanayak with her blood-she spits on him with her bleeding mouth, and pushes him with her wounded breasts into hiswhite shirt. Occypying his physical, forcing him to see her made up, she shoves his own fear into his face. Unarmed, but threatens what the actions of the next hour may be. In dopds case,the insults she hurls at senanayak and his men- which echo those that the master narrator Vyasa gave to the epic Draupadi in the assembly hall, and even her spitting and her pushing her wounded

The Mortal Sin Of Pride Essay -- essays research papers

The Mortal Sin of Pride   Ã‚  Ã‚  Ã‚  Ã‚  In 'The Cask of the Amontillado'; Edgar Allan Poe uses symbolism, imagery, and the atmosphere to help fully explore the sinful nature of pride and its serious consequences within the short story. The character of Fortunato is the main capsule for the explanation of the dangers of being prideful of ones self. By examining Poe's use of symbolism, images, and effective backdrops around Fortunato the reader may begin to understand the importance of the deadly sin of pride.   Ã‚  Ã‚  Ã‚  Ã‚  Poe deliberately explains to the reader early on within the short story, 'The Cask of the Amontillado';, that Fortunato takes extreme pride in 'himself on his connoisseurship in wine'; (153). The theme of having an overwhelming amount of self-pride, one of the seven deadly sins, is projected as a weakness of Fortunato and foreshadows the ideal that this deadly sin of pride may very well lead to the means of Forturnato's own destruction. Fortunato Believes that his 'connoisseurship in wine'; (153) is far more developed and advance than anyone else in the area, especially Luchesi and Montresor. For example when Montresor offered to take his business to Luchesi because he, Fortunato, appeared to be pre-engaged in the enjoying himself within 'the supreme madness of the carnival'; (153); however, Fortunato replied with ' 'Luchesi cannot tell Amontillado from Sherry' '; (154). The reader may argue that Luchesi might have truly been... The Mortal Sin Of Pride Essay -- essays research papers The Mortal Sin of Pride   Ã‚  Ã‚  Ã‚  Ã‚  In 'The Cask of the Amontillado'; Edgar Allan Poe uses symbolism, imagery, and the atmosphere to help fully explore the sinful nature of pride and its serious consequences within the short story. The character of Fortunato is the main capsule for the explanation of the dangers of being prideful of ones self. By examining Poe's use of symbolism, images, and effective backdrops around Fortunato the reader may begin to understand the importance of the deadly sin of pride.   Ã‚  Ã‚  Ã‚  Ã‚  Poe deliberately explains to the reader early on within the short story, 'The Cask of the Amontillado';, that Fortunato takes extreme pride in 'himself on his connoisseurship in wine'; (153). The theme of having an overwhelming amount of self-pride, one of the seven deadly sins, is projected as a weakness of Fortunato and foreshadows the ideal that this deadly sin of pride may very well lead to the means of Forturnato's own destruction. Fortunato Believes that his 'connoisseurship in wine'; (153) is far more developed and advance than anyone else in the area, especially Luchesi and Montresor. For example when Montresor offered to take his business to Luchesi because he, Fortunato, appeared to be pre-engaged in the enjoying himself within 'the supreme madness of the carnival'; (153); however, Fortunato replied with ' 'Luchesi cannot tell Amontillado from Sherry' '; (154). The reader may argue that Luchesi might have truly been...

Friends Essay -- Television Shows Entertainment Papers

Friends Welcome to "New York," where the folks are friendly, the buildings never falter, and all quarrels end with a quip. Not to be found on the East Coast, this Burbank, California-based "New York" is the setting of "Friends," the popular situation comedy that first aired on NBC in 1994. With roughly sixteen million households tuning in each week, not to mention syndication of re-runs, "Friends" has become a cultural icon. "Friends" is more than just a sit-com that begins on Thursday at eight o'clock and ends at eight-thirty. It is a living, breathing, fictional reality like a second home that isn't lived in, but lived through. Many viewers talk about the characters on "Friends" as if they were, in fact, close personal friends. They remember specific lines from episodes that aired years ago; they know each character's life history, personality traits, compulsions, strengths, weaknesses, idiosyncrasies; they even remember the names of minor characters who have appeared in only o ne or two episodes (Simon B4). The show is about six singles who "hang out in a New York City apartment, drink coffee, and make jokes" (Chidley 48). Although this simple premise borders on boredom, don't be fooled. NBC has shown us through shows such as "Seinfeld," which paraded itself as "a show about nothing," that less equals success, as far as ratings and viewer approval are concerned. The key to "Friend's" success, however, is not the inherent mediocrity of the premise. Rather, the simplicity of the premise redirects creative energy toward crafting incredibly well written dialogue to be superbly performed by a quirky, energetic, and charming cast. The humorous dialogue, the chemistry between the actors, and the charisma that emanate... ...ood Library. 18 March 2002. "A Cultural Touchstone." People 31 Dec. 2001: 68. Academic Search Elite Full Text. Palni SiteSearch. Goshen College Good Library. 18 March 2002. "The Girl Friend." Rolling Stone 7 Mar. 1996: 34. Academic Search Elite Full Text. Palni SiteSearch. Goshen College Good Library. 18 March 2002. Rice, Jim. "With 'Friends' Like These." March 31, 2002. http://www.sojo.net/magazine/index.cfm/action/sojourners/issue/soj9605/article/960541d.html Simon, Richard Keller. "Much Ado About 'Friends': What Pop Culture Offers Literature." Chronicle of Higher Education. 16 June 2000: B4. Academic Search Elite Full Text. Palni SiteSearch. Goshen College Good Library. 18 March 2002. Wild, David. "Six Lives on Video Tape." Rolling Stone 18 May 1995: 62. Academic Search Elite Full Text. Palni SiteSearch. Goshen College Good Library. 18 March 2002.

Boeing 7 Essay

A reverse of this trend is crucial to reach some of the projected sales numbers that Boeing is counting on. There are several factors to these lower numbers. A decrease in business travel has occurred due to cost and the advance of conferencing technologies. And lastly, the weak economy has vacationers thinking of local destinations instead of traveling abroad. Market Share Boeing’s fiercest competitor is Airbus. It is crucial that the new 7E7 delivers on its promise of lower operating cost. This will help command a larger share of the market. This becomes even more important if the economy doesn’t recover as quickly as we hope. The other aspect of the 7E7’s success is the engineering of an expandable wing. Adding this versatility will give the 7E7 owner more options for travel routes. Sensitivity Analysis The following is the sensitivity analysis of the Boeing project which gives optimistic and pessimistic estimates for the underlying variables of volume and cost of sales. The purpose of the sensitivity analysis is to express cash flows in terms of the variables of this project. Boeing had to determine what the decide what the underlying variables were which in this case happen to be development costs and the per-copy costs to build the 7E7. For the project to increase shareholder wealth, Boeing would have to sell at least 2,500 aircraft over a 20-year period. Airbus is a close competitor. They will be coming to market with a new A380. If Boeing falls behind regarding innovation, they may lose their market share. For Boeing to have a future in the aviation industry, they must take the risk to develop this new place. With the economy so volatile, airlines will be looking for options that reduce their operational costs. The 7E7 will do this. The success of the expandable wing will give the plane attractive versatility. Fuel prices are also on the rise, this is yet another reason why a plane with a lower operating cost will succeed in the future The equity market risk premium should equal the excess return expected by investors on the market portfolio. In this case it was calculated to be 7. 14%. The weighted average cost of capital (WACC) was calculated to be 15. 443%. For the project to increase shareholder wealth, the IRR of the project should at least equal the WACC. For this to happen Boeing would have to sell at least 2500 airliners in a 20-year period.

Acct 410 Government and Not for Profit Chp 11-15 Quiz Essay

Question 1 4 out of 4 points | | | Federal funds must be used only for activities that are within the scope of the grant would be a(n)Answer | | | | | Selected Answer:| allowable activity| Correct Answer:| allowable activity| | | | | Question 2 0 out of 4 points | | | In reporting the results of a performance audit, it is appropriate for the auditors toAnswer | | | | | | | Correct Answer:| all of the above.| | | | | Question 3 4 out of 4 points | | | Which of the following is a Yellow Book standard in respect to independence?Answer | | | | | Selected Answer:| auditors should not audit their own work| Correct Answer:| auditors should not audit their own work| | | | | Question 4 4 out of 4 points | | | The Yellow Book’s general standards are issued by theAnswer | | | | | Selected Answer:| GAO| Correct Answer:| GAO| | | | | Question 5 4 out of 4 points | | | In discerning the objectives of a program to be audited, the auditors should give the least credibility toAnswer | | | | | Selected Answer:| comments by the lower-level employees who actually depend on the program for their livelihoods.| Correct Answer:| comments by the lower-level employees who actually depend on the program for their livelihoods.| | | | | Question 6 4 out of 4 points | | | Which of the following is not reported upon in the Schedule of Findings and Questioned Costs?Answer | | | | | Selected Answer:| reportable conditions related to internal control| Correct Answer:| reportable conditions related to internal control| | | | | Question 7 0 out of 4 points | | | Government Auditing Standards characterizes government engagements into which of the following three categories?Answer | | | | | | | Correct Answer:| financial audits, compliance audits, and performance audits| | | | | Question 8 4 out of 4 points | | | The process of specifically directing federal funds to a particular program is called:Answer | | | | | Selected Answer:| earmarking| Correct Answer:| earmarking| | | | | Question 9 4 out of 4 points | | | Government Auditing Standards must be adhered to in all financial audits except ofAnswer | | | | | Selected Answer:| public corporations| Correct Answer:| public corporations| | | | | Question 10 0 out of 4 points | | | The purpose of this is to avoid duplication of efforts in conducting governmental auditsAnswer | | | | | | | Correct Answer:| Single Audit Act| | | | | Question 11 4 out of 4 points | | | This law requires that the wages of laborers and mechanics employed by the contractors of federally funded projects be paid at prevailing local wage rates.Answer | | | | | Selected Answer:| Davis-Bacon Act| Correct Answer:| Davis-Bacon Act| | | | | Question 12 4 out of 4 points | | | Which of the following statements is incorrect about GAO standards pertaining to performance audits?Answer | | | | | Selected Answer:| The GAO mandates that programs be audited annually by accounting trained professionals| Correct Answer:| The GAO mandates that programs be audited annually by accounting trained professionals| | | | | Question 13 4 out of 4 points | | | Which of the following is not a General Auditing Standard for financial audits?Answer | | | | | Selected Answer:| financial stability| Correct Answer:| financial stability| | | | | Question 14 4 out of 4 points | | | Per the GAO standards, an auditor’s working papers mustAnswer | | | | | Selected Answer:| contain sufficient information to convince an auditor having no previous connection with the audit that the evidence supports the auditor’s conclusions and judgments| Correct Answer:| contain sufficient information to convince an auditor having no previous connection with the audit that the evidence supports the auditor’s conclusions and judgments| | | | | Question 15 0 out of 4 points | | | ‘‘Generally accepted government auditing standards’’ (GAGAS) refers to standards incorporated inAnswer | | | | | | | Correct Answer:| the Yellow Book and the AICPA’s Professional Standards| | | | | Sunday, June 17, 2012 6:43:52 PM EDT